Born in Cambridge, England, Judith Weir’s musical path has been a very British one. Having studied with Sir John Taverner at an early age and later at King’s College Cambridge, Weir’s music proudly takes inspiration from British medieval history and the traditional folk arts of her parents’ homeland of Scotland. Another star-studded member of this list, Weir won an Ivor Novello Award in 2015 and a year earlier was appointed the first female Master of the Queen’s Music, a position which she currently holds for ten years, succeeding Sir Peter Maxwell Davis. True to her traditional roots and interests, Weir’s music has strong roots in British choral music, yet her output also includes eight operas, many orchestral works, chamber pieces, and solo instrumental pieces. If you’re after something modern and yet deeply rooted in tradition, I highly recommend the work of Dame Judith Weir.
And yet, for the most part, it is a foreign way of thinking to our own: Much religious meaning in music today is practiced, and heard, as an all-encompassing, multi-faith spirituality rather than this Baroque-era sense that more specifically imagines “theology heard as sound.”
In his case, that’s a lot of pop-punk and a variety of indie rock. Yes, Sawyer has developed a keen appreciation for The Gaslight Anthem, The Front Bottoms, and The Arkells. Never let it be said that he doesn’t have taste!
Grants for music ensembles
Not all of us have access to the kind of gear that the Boards are rocking. As usual though, we can find some good digital approximations on the internet. One of my absolute favourites is James Peck’s VHS Audio Degradation Suite. It provides emulations (with optional speaker simulation) of old video tape audio playback, based on machines in various states of disrepair. If anything digital is going to get you even close to Boards of Canada’s bevy of broken-down gear, this is it. While it’s free, it only works through Native Instruments’ paid Reaktor 6 soft synth platform. If you don’t already have that, you can try it out for 30 days.
Shoegaze music has a way of sticking around in our heads for a while — that familiar but distant sound of the guitar echoes endlessly in our memory. There are so many ways to create this kind of soundscape with your guitar. In my last article, “How to Create Dreamier Guitar Chords,” I started to investigate various chord structures that lead to signature shoegaze song crafting, so here I’ll be looking into affordable effects pedal combinations that can achieve that shimmering wall of sound.
The following tips cover everything from the obvious, to some lesser-known facts, and hopefully some additional earth-shattering vocal hydration knowledge to help ensure you keep those pipes healthier longer!
Nicholas Rubright is the founder and editor at Dozmia and the lead guitarist for the band Days Gone By. He has a passion for playing the guitar, writing new songs, and creating awesome blog posts like this one.
All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in diving deep into a production-related topic like Songwriting for Producers, Advanced Mix Techniques, or Intro to Making Music in Logic Pro X, or just to work with a Soundfly Mentor directly to achieve a musical goal specific to you, we can help you get there!
Best selling rappers of all time 2018
Most closets are in the bedroom which is great. The room has soft furnishings already in it (e.g.: beds, curtains, rugs, clothes). Standing in front of the open closet is optimal or if you have a walk-in, even better. Make a part in the clothes on hangers and place your mic (whether its on a shelf or a mic stand) in between the parted clothes without letting the clothes touch the microphone. Additional blankets behind, to the sides, and above you are ideal. The goal is to absorb as many reflections from the room as possible.
If you’re interested in becoming a content partner, please send articles and inquiries to support(at)soundfly.com!
We are all involved with music in different ways — some of us play the piano, the flute, the bass guitar, drums, one is DJ in his spare time, one is a label manager. And some of the staff here do not play instruments themselves but have strong, deep connections with music. Above all else, we are all real diggers. Every member of our staff owns at least one turntable and spends a lot of their time digging through crates!
Project Sonata is an American charity that uses the Japanese synthesizer program UTAU to create electronic vocals for its animated avatar, Sonata. Sonata helps raise awareness and funds for the Depression and Bipolar Support Alliance.
Ian: Chris did an incredible job on the course assignments and demonstrated a real knowledge of beat making and composition. He also showed that he can make tracks very fast and I was impressed with the quality of his mixes from week to week.