Helene Berg knew of her husband’s love for Fuchs-Robettin, and it seems likely her attempts to scuttle the completion of Lulu were at least in part motivated by this. She died in 1976.
Learn to improve your songwriting with these tips, stories, and resources to help you break out of a creative rut and start writing better music. For more help, check out Soundfly’s course, The New Songwriter’s Workshop.
In his new book Peak: Secrets from the New Science of Expertise, which is excerpted here, Dr. Ericsson and his co-author Robert Pool argue that the best practice habits, what they call “purposeful practice,” involve specific goals, focus, feedback, and leaving your comfort zone; all of which are incorporated into Soundfly’s unique online learning model.
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“Meant to Be”: We’ve got a very cool, non-standard “shuffle treatment” of a chorus here. The chorus itself is AABA, and after the second chorus they chop it up and shuffle it to make a new section that goes BBA, which I’m going to call a modified half-chorus (c2). Then, we have the shortest bridge in history, just two pop-perfect bars of “maybe”s. Next we’ve got a more proper “non-chopped” half-chorus to end it. And we gotta give a shout-out to the inverted V chord they snuck in there with the moving bass line in the chorus.
When Ischi studied abroad in Germany a couple of years later, everything changed for our young hero. The aspiring yodeler traveled to Switzerland to try his hand at the art form in Zürich beer halls, performing in front of people who actually knew what yodeling was… And he was a big hit! Ischi’s skills earned him money, an audience, and eventually the attention of Franzl Lang, the King, himself.
Electronic music is arguably the most international genre, its basic forms and sounds able to be infinitely adapted to a variety of different influences and contexts. In this article we’re shining a light on five of the most exciting and experimental electronic artists in the Middle East right now. Engage with what’s here not as a novel “difference” from the mainstream, but rather as a sign of the future where music-making is interconnected and accessible to more people than ever before.
In 2006, Congress lowered the tax rate for songwriters who sell a part of their catalogs. It did this by reclassifying income from the sale of a catalog as “capital gains” instead of “ordinary income.”
More and more musicians are choosing to build their own home studios and go it alone these days, as opposed to spending their money on only a few days in a professional studio per year or even less. And that’s great! More agency and self-sufficiency means more time spent honing one’s craft and exploring musical boundaries.
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The Songwriter’s Capital Gains Equity Act of 2006 is one of the few government regulations that actually helps songwriters earn more. The law allows songwriters who sell their catalog the option to treat those sales as capital gains rather than regular income. This is a unique benefit to songwriters that other creators, like performing artists or book authors, don’t share.
As we’re sure you’ve heard countless times over the last several years, the chances of making a living solely off of streaming income are slim to none. But does that mean that making your music available on streaming services is pointless? Far from it.
+ Producing and mixing music at home? Check out Soundfly’s brand new mentored online course, Songwriting For Producers, to take all those unfinished ideas and transform them into fully fleshed out, compelling songs! Free preview here.
Writer’s block can be a burden on any songwriter or artist’s progress. There are no hard and fast rules to songwriting and there are certainly no surefire ways to break out of writer’s block. If you are experiencing a block in your creativity, these steps may help you to rediscover your muse or ignite a creative spark that you’ve never had before. Whatever the case may be, the most important step in breaking out of a songwriter’s block is to keep writing and never give up despite your frustrations. The more you write, the easier it is to write. Share your own methods for breaking out of a creative block below.
It’s like how they say “we eat with our eyes first” when we go to restaurants — presentation matters. Some bands and musicians feel that this can cheapen their music, or they don’t like “playing those games.” I call those people naïve.